close
close
Colin Farrell's shocking 'Penguin' transformation explained

play

Colin Farrell's title character in the new gangster drama The Penguin is a Batman villain brought dangerously to life, powerful, scarred and unforgettable. So much so that you forget that the handsome Irish actor is down there somewhere.

Obviously, Farrell is playing his finely feathered ass, but a big part of what redefines “The Penguin” (now streaming on Max) is the work of prosthetic makeup designer Mike Marino, who fully transforms Farrell into the ambitious gangster Oz Cobb transformed. It's so effective that it fooled co-stars like Cristin Milioti, who filmed with him for eight months. “I saw (Farrell) once without makeup. I heard this voice and it was like someone had done a Freaky Friday. It was so strange,” she says. “You would never know there was makeup up close. It’s incredible.”

Farrell adds: “Moving your face and seeing how that face reacts to your movements and looks nothing like you was a very powerful thing.”

Join our Watch Party! Sign up to get USA TODAY's movie and TV recommendations delivered straight to your inbox

Marino, 47, has two Oscar nominations: for “Coming 2 America,” where he worked with Eddie Murphy and Arsenio Hall, and for director Matt Reeves' “The Batman,” in which he first transformed Farrell into the penguin Barry Keoghan turned into a disfigured Joker. His diverse resume spanning three decades also includes the new dark comedy A Different Man (now in select theaters, nationwide October 4), Black Swan, The Marvelous Mrs. Maisel, The Weeknd music videos and Heidi Klum's Halloween costumes.

“It’s been a continuous creative life,” says the New York native, who began his three-decade career on “Saturday Night Live” at 19. “I’m grateful that I can still do this and create characters.”

Gangsters and birds influenced Colin Farrell's look in The Penguin

The most important thing Marino had in mind when designing the Penguin was: “No matter how human he looks and how charming and charismatic he may be, he is a Batman villain.” Someone who operates in a very dangerous underworld and is ruthless,” he says. And Oz's personality is reflected in his face: “There's a side that's really quite natural and the other side that's completely violent. His teeth are broken (and) maybe some flesh is hanging out of his face in one place and is stitched back together,” Marino added. (The bad leg and foot that cause Oz to limp are also on his scarred right side.)

Reeves had the idea that Oz was psychologically similar to John Cazale's Fredo in The Godfather films (“He was left behind and wanted more,” says Marino), so in addition to a bird-inspired facade, this penguin also has a receding hairline (but not past Penguins). Marino saw that penguins have a V-shaped face from the front, which affected Oz's nose and angled, “animal-like” eyebrows.

When Farrell first saw his penguin look, “to me it said volumes about him as a man, about his toughness but also a certain vulnerability, about what it would be like to go through the world so pockmarked and scarred.” “says the actor. The series “The Penguin” was “a descent into his madness and his ultimate psychopathy” and was transformed by Marino’s prosthetics: “I felt like I was free to throw paint on the wall as aggressively as possible.” And part of it was the liberation that came from not seeing myself.”

Makeup Artist Mike Marino Makes Sebastian Stan “A Different Man”

Marino's work is also important to “A Different Man,” in which Stan plays a lonely New Yorker named Edward who has facial tumors caused by the genetic disorder neurofibromatosis. He undergoes an experimental treatment that repairs him superficially but not emotionally. Edward learns that his life is being made into a play, becomes desperate to appear in it, and becomes jealous of the gregarious man who is ultimately cast in the role – played by Adam Pearson, a British actor living with the disease.

Stan's prosthetics are a “small variation” of Pearson's actual face because the two characters had to compete against each other in “this very layered psychological view of the inner self,” says Marino. “Adam Pearson's personality in the film is so charismatic and positive. He embraces who he is and everyone loves him. And Sebastian's character is so shy and ashamed and he wants to get rid of his looks and become somewhat normal in a way. And once he does, he doesn’t know who he is anymore.”

Marino's work shaped Stan “physically and internally,” he says. “Being able to walk down the street in New York and not have anyone doubt that I look like that changed everything.”

“There are people who, when they see Edward in the film, think it's Adam and not me. It was transformative. It was immersive. It was everything.”

Looking for reliable internet options to stream The Penguin on Max? Check out USA TODAY Home Internet to find the best broadband plans near you.

By Vanessa

Leave a Reply

Your email address will not be published. Required fields are marked *