close
close
Daniel Craig says films like Queer were the reason he started acting

play

NEW YORK – Daniel Craig's new film couldn't be further from James Bond.

In “Queer,” the British actor takes on his first dramatic role since his 15-year career, as 007 came to an explosive end in 2021's “No Time to Die.” Based on the 1985 book by William S. Burroughs, the bold new drama follows a drunken, drug-addicted expat named Lee (Craig) who preys on younger men in 1940s Mexico City. But his lascivious lifestyle is put to the test when he falls deeply in love with pretty wallflower Allerton (Drew Starkey), and Lee desperately tries to connect with his inscrutable new bedmate.

“Queer” is sometimes incredibly sexy and completely unconventional. (The film's ponderous, psychedelic final third is sure to turn off many viewers and Oscar voters.) The project reunites “Challengers” director Luca Guadagnino with screenwriter Justin Kuritzkes, who discussed at length the film's extended ayahuasca sequence and how they wanted to separate from Burroughs ' novel.

“If you think of the book as opening the door and then quickly closing it, we thought, 'What if we walked through the door?'” Kuritzkes said during an on-stage talk at the New York Film Festival, where the film was shown on Sunday evening.

Craig, who last appeared on screen in the 2022 crime thriller Glass Onion, said he has wanted to work with Guadagnino for years.

“Scripts don't come around that way very often, so when they do, you grab them,” Craig explained. “I didn't know what the end result would be, but I knew the journey would be something different.” Ultimately, he wanted to “do something beautiful and unforgettable with love as the theme.”

The straight-talking A-lister bristled at claims that “Queer” was a “farewell” to the role of Bond for him, after making other sensually provocative films in the late 1990s and early 2000s, including “Love is the Devil.” ” and “The Mother”. .”

“The reason I wanted to go to the movies was definitely movies like this,” Craig said. “It’s something I did a lot of early in my career before I did the other thing.”

Uma Thurman remembers bonding with Paul Schrader over Taylor Swift

“Queer” was the culmination of an exciting weekend at the New York Film Festival. “Oh, Canada,” an offbeat memoir from Paul Schrader (“Taxi Driver”), premiered Saturday afternoon to unexpected uproar: Midway through the screening, climate activists stormed the stage with a banner that read “No film on a dead planet.” . The crowd booed until security forces pulled the protesters off the stage.

Starring Jacob Elordi and Michael Imperioli, “Oh, Canada” follows an ailing filmmaker (Richard Gere) who is interviewed for a documentary about his life. Uma Thurman makes a heartbreaking star as his wife, who watches as her husband reveals unsavory details about his past.

The “Pulp Fiction” star said she was initially intimidated to work with a “master of cinema” like Schrader, but found him to be “a big softie.”

“I was very nervous to meet him — you know, this macho filmmaker who makes these iconic films,” Thurman said during a question-and-answer session after the screening. “As I was on my way to the meeting, the person driving me googled him. She was like, 'Oh my God, he's a huge Taylor Swift fan!' I thought, 'What?' And then I read Paul's tweet defending Taylor and thought, 'Oh, I'm in good hands.'”

Marianne Jean-Baptiste is Oscar-worthy in Hard Truths

Later on Saturday, Marianne Jean-Baptiste caused a stir with a raucous performance of Mike Leigh's “Hard Truths,” about a poison-spitting older woman named Pansy in working-class London. Pansy's misanthropy is hilarious at first glance, but her walls slowly crumble, revealing a deep-seated pain and loneliness.

Jean-Baptiste is best known to American audiences for TV crime series such as “Without a Trace” and “Blindspot.” Nearly 30 years after her first nomination for another Leigh film, 1996's “Secrets & Lies,” she could well earn an Oscar nomination for her caustic and devastating performance.

On preparing for the film: “I did little exercises where I went to the supermarket as Pansy. No one was hurt!” joked the British actress during a question-and-answer session after the screening. “Hard Truths” ends on an ambiguous note, “and I think that’s beautiful. It allows viewers to form their own opinions. We often don’t know where people’s pain comes from.”

The festival ends later this week with the World War II drama “Blitz,” starring Saoirse Ronan.

By Vanessa

Leave a Reply

Your email address will not be published. Required fields are marked *