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New Bob Dylan biopic has serious 'Dewey Cox vibes'

A new trailer has just been released A complete unknownDirector James Mangold's highly anticipated biopic of the legendary Bob Dylan starring Timothée Chalamet. The story ends around 1965, which means we won't get a scene where Chalamet hits a microphone with a tiny Ikea wrench when wearing age make-up.

A complete unknown looks like a typical Hollywood music biopic full of obvious eye-roll-inducing moments. And it's almost impossible to accept such formulaic music biopics, not only because Hollywood has practically bankrupted the genre at this point, but also because they were so perfectly parodied in 2007 Go Hard: The Dewey Cox Story.

Swiss chard has admittedly enjoying it Go hardwhich was primarily a nod to his earlier music biopic, Walk along the line. But for some reason he seems to be turning back to those Dewey Cox-esque elements instead of avoiding them. Overly dramatic statements as Dylan enters a recording studio? Check. Eye-catching name checks on famous musicians we wouldn't otherwise recognize? Check. Dylan being harassed by his girlfriend while secretly having an affair? Check.

Unsurprisingly, a number of people on social media had the exact same reaction and just couldn't help but see more Dewey Cox than Bob Dylan in the trailer.

It probably doesn't help that Dewey Cox was going through a Dylan phase Go hard. Dewey's silly, pseudo-profound rebuttal isn't all that different from what we hear A complete unknownis Dylan (he wants to be “whatever they don't want me to be”), and to be honest, John C. Reilly probably does a better impression of Dylan's speaking voice. Chalamet sounds kind of like Steven Wright to my ears.

It's also worth noting that Dylan seems an uncertain subject even for this kind of conventional biopic. Dylan's penchant for self-mythologizing and autobiographical nonsense makes any of his first-hand accounts completely unreliable. And the conclusion of his 1965 story offers such a brief glimpse into his changing personality, perhaps his defining artistic trait, that one wonders what the film is even about.

Randomly, Go hard came out the same year as the last Dylan feature film, I'm not therewho took an experimental approach to history. The subject was a variety of actors, each portraying a different aspect of Dylan, real or imagined. Go hard Director Jake Kasdan noted at the time that his film and I'm not there were both “deconstructivist biographies.”

Even though these two films, released so close together, seemed like the death knell for formulaic biopics, the studios just kept producing them.

We'll have to wait and see if A complete unknown features a framing device that requires Bob Dylan to think about his entire life before playing.

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By Vanessa

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