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The best TV show of the year

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The best TV show of the year won't make you feel good, but it will definitely make you feel deep.

Apple TV+'s “Disclaimer” (streaming Fridays, ★★★★ out of four) is as dark and depressing as a story can get, and will blow you away with the sheer power of its brilliance. Oscar-winning director Alfonso Cuarón's limited series, starring Cate Blanchett, Kevin Kline and Sacha Baron Cohen, is a breathtaking work of art, a breathtaking odyssey full of emotion and suspense that will captivate, repel and delight you, perhaps teaching you something about yourself .You may not like what you learn. You don't have to. There are many other places you can look for comfort TVs.

No, instead of a warm hug, “Disclaimer” triggers a shiver and a rush of adrenaline. Through exquisite performances, a superbly crafted script, and Cuarón's distinctive visual style, the series plays with your assumptions and imaginations, offering a seemingly simple tale of revenge. But not everything is as it seems. Sometimes you really want to look away. In most scenes you won't be able to take your eyes off the screen. But you'll definitely keep watching until the end.

Based on the novel by Renée Knight, “Disclaimer” tells a story about a story, particularly the consequences of events that unfold between a 19-year-old British boy, Jonathan (Louis Partridge), and a young mother, Catherine (Leila George). occurred ), on an Italian beach in the 2000s. The details of the encounter are not immediately clear, but in the end Jonathan is dead and Catherine tells no one what happened. Twenty years later, Jonathan's father Stephen (Kline) becomes obsessed with the modern-day Catherine (Blanchett). The old man discovers what he believes is evidence of Catherine's role in Jonathan's death and longs for revenge and catharsis after losing Jonathan and later his grieving wife Nancy (Lesley Manville). He strikes in a destructive and disturbing manner without regard for collateral damage.

Stephen's scorched-earth crusade leaves no part of Catherine's life untouched, neither her weak-chinned husband Robert (Sacha Baron Cohen) nor her underachieving son Nicholas (Kodi Smit-McPhee). The “disclaimer” comes from a book Nancy wrote in her grief and anger, which Stephen finds and publishes. He claims it is the devastating truth that will bring down Catherine, now a respected journalist and documentary filmmaker known for exposing the misdeeds of others. As Stephen wreaks havoc in the present, the series looks back 20 years to the meeting between Catherine and Jonathan and the impact of the boy's death on his worried parents.

Cuarón, director of acclaimed films such as “Gravity,” “Children of Men” and “Roma,” is considered a meticulous and relentless storyteller, and his style informs the seven episodes. His camera lingers on Blanchett's expressive face, on the gray waves of the Mediterranean, on the ugliness of Stephen and Nancy's grief. The series contains graphic sex scenes that are neither exploitative nor gratuitous; Instead, they are terrifying in their intimacy and power. As the story unfolds in the past and present, Cuarón's script and direction never let the audience rest.

Blanchett is perhaps one of the few modern actors who could handle Catherine's complexities. It's hard to discuss how many emotions the character has to go through without spoiling the plot of the series, but suffice it to say that Blanchett gets to showcase her full range. The entire cast confronts the complex darkness of the material, but it is Cohen who surprises the most. The actor, known for his quirky comedies like “Borat” and “Bruno,” is almost unrecognizable in his wig and glasses, playing the straightest man with the anger and fervor of his comedic characters, but without a shred of irony. Who knew Borat could do that?

Good television subverts your expectations. The best TV takes your expectations, spits them out, throws them out the window, and makes you look at yourself in the mirror and say “Huh.”

“Disclaimer” asks you to look at yourself and others and determine what you believe to be true or not. It's a story told with such dramatic power that it may drive you crazy. It might leave you cold and puzzled. It might make you angry.

But it will make you think. Maybe for a long time.

By Vanessa

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